{"id":794,"date":"2014-09-29T20:34:05","date_gmt":"2014-09-29T23:34:05","guid":{"rendered":"http:\/\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg"},"modified":"2014-09-29T20:34:05","modified_gmt":"2014-09-29T23:34:05","slug":"trolley-new-orleans-2","status":"inherit","type":"attachment","link":"https:\/\/radames.manosso.nom.br\/critica\/foto\/fotos-fotografos\/attachment\/trolley-new-orleans-2\/","title":{"rendered":"Trolley New Orleans"},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"class_list":["post-794","attachment","type-attachment","status-inherit","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/a14lZD-cO","description":{"rendered":"<p class=\"attachment\"><a href=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?fit=300%2C198&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?resize=300%2C198&amp;ssl=1 300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"794\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/foto\/fotos-fotografos\/attachment\/trolley-new-orleans-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?fit=1024%2C679&amp;ssl=1\" data-orig-size=\"1024,679\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1124206671&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Trolley New Orleans\" data-image-description=\"&lt;p&gt;Data: 1955.&lt;br \/&gt;\nLocal: New Orleans, EUA.&lt;br \/&gt;\nFot\u00f3grafo: Robert Frank (1924) EUA.&lt;\/p&gt;\n&lt;p&gt;Frank era um fot\u00f3grafo de rua que queria retratar a sociedade americana. Nessa foto, Frank mostrou a separa\u00e7\u00e3o racial presente no cotidiano da cidade americana sulista. Frank antecipou as lutas pela igualdade de direitos que agitariam a sociedade americana na d\u00e9cada de 1960.&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Trolley New Orleans&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?fit=604%2C401&amp;ssl=1\" \/><\/a><\/p>\n<p>Data: 1955.<br \/>\nLocal: New Orleans, EUA.<br \/>\nFot\u00f3grafo: Robert Frank (1924) EUA.<\/p>\n<p>Frank era um fot\u00f3grafo de rua que queria retratar a sociedade americana. Nessa foto, Frank mostrou a separa\u00e7\u00e3o racial presente no cotidiano da cidade americana sulista. Frank antecipou as lutas pela igualdade de direitos que agitariam a sociedade americana na d\u00e9cada de 1960.<\/p>\n"},"caption":{"rendered":"<p>Trolley New Orleans<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":1024,"height":679,"file":"trolley-new-orleans1.jpg","sizes":{"thumbnail":{"file":"trolley-new-orleans1-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?resize=150%2C150&ssl=1"},"medium":{"file":"trolley-new-orleans1-300x198.jpg","width":300,"height":198,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?fit=300%2C198&ssl=1"},"post-thumbnail":{"file":"trolley-new-orleans1-940x198.jpg","width":940,"height":198,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?resize=604%2C127&ssl=1"},"full":{"file":"trolley-new-orleans1.jpg?fit=1024%2C679&ssl=1","width":1024,"height":679,"mime_type":"image\/jpeg","source_url":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg?fit=1024%2C679&ssl=1"}},"image_meta":{"aperture":0,"credit":"","camera":"","caption":"","created_timestamp":1124206671,"copyright":"","focal_length":0,"iso":0,"shutter_speed":0,"title":""}},"post":710,"source_url":"https:\/\/radames.manosso.nom.br\/critica\/files\/trolley-new-orleans1.jpg","_links":{"self":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/media\/794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/media"}],"about":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/comments?post=794"}]}}