{"id":1159,"date":"2013-07-19T16:41:02","date_gmt":"2013-07-19T19:41:02","guid":{"rendered":"http:\/\/radames.manosso.nom.br\/arquitetura\/?p=281"},"modified":"2021-01-20T14:56:34","modified_gmt":"2021-01-20T17:56:34","slug":"museu-guggenheim-bilbao","status":"publish","type":"post","link":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/","title":{"rendered":"Museu Guggenheim Bilbao"},"content":{"rendered":"\n<p>Creio que n\u00e3o sou o \u00fanico a ficar perturbado com o impacto visual que o Museu Guggenheim Bilbao provoca em quem o admira. Suas formas lembrariam um navio? Suas placas de tit\u00e2nio seriam como escamas de peixe? Seus volumes de a\u00e7o seriam como bandeiras tremulando? Ou talvez, a imprevisibilidade das formas desse pr\u00e9dio seja nada mais do que um premeditado caos organizado.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"286\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/?attachment_id=286\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-caligula-3.jpg?fit=400%2C267&amp;ssl=1\" data-orig-size=\"400,267\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Cena do filme Cal\u00edgula\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-caligula-3.jpg?fit=400%2C267&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/museu-guggenheim-bilbao-11.jpg?w=604&#038;ssl=1\" alt=\"Museu Guggenheim Bilbao\" class=\"wp-image-286\"\/><\/figure>\n\n\n\n<!--more-->\n\n\n\n<h3 class=\"wp-block-heading\">Desconstrutivismo<\/h3>\n\n\n\n<p>Uma das caracter\u00edsticas que mais impressiona no Guggenheim Bilbao \u00e9 o seu evidente desconstrutivismo. Vamos entender esse palavr\u00e3o como uma tentativa de demolir milenares postulados da arquitetura. N\u00e3o \u00e9 poss\u00edvel tra\u00e7ar linhas de simetria no museu, n\u00e3o \u00e9 f\u00e1cil detectar nele as conhecidas formas geom\u00e9tricas regulares presentes nas obras arquitet\u00f4nicas por s\u00e9culos. <\/p>\n\n\n\n<p>Os met\u00f3dicos v\u00e3o sentir uma sensa\u00e7\u00e3o de desemparo diante desse fascinante conjunto de formas inesperadas que n\u00e3o tem as regularidades confort\u00e1veis da arquitetura tradicional. Provavelmente, o museu de Bilbao \u00e9 a melhor express\u00e3o da corrente arquitet\u00f4nica desconstrutivista e \u00e9 impressionante como essa variante provocativa e rebelde da arquitetura pode nos deixar encantados.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Atra\u00e7\u00e3o tur\u00edstica<\/h3>\n\n\n\n<p>Frank Gehry projetou o museu para brilhar com a luz do sol ou sob ilumina\u00e7\u00e3o noturna. Esse gigante de tit\u00e2nio e vidro domina a cena no seu entorno que oferece em toda a volta boas vistas desse \u00edcone arquitet\u00f4nico do final do s\u00e9culo XX. O risco era o museu ser mais prestigiado do que as obras que abriga e n\u00e3o deu outra. Milh\u00f5es de turistas do mundo inteiro v\u00e3o a Bilbao ver especificamente o museu.<\/p>\n\n\n\n<p>Internamente, o museu \u00e9 composto por diversas salas de diferentes dimens\u00f5es para comportar v\u00e1rios tipos de exposi\u00e7\u00e3o. V\u00e1rias dessas salas s\u00e3o acess\u00edveis a partir do \u00e1trio principal. Como se fossem p\u00e9talas de uma flor as salas come\u00e7am no \u00e1trio e observando a planta do museu percebemos o mesmo desconstrutivismo das fachadas, ou seja, n\u00e3o vamos encontrar simetrias confort\u00e1veis. Frank Gehry controla as formas embora elas pare\u00e7am aleat\u00f3rias \u00e0 primeira vista. Os volumes do museu seriam pseud\u00f3podos retorcidos? N\u00e3o s\u00e3o formas exatamente org\u00e2nicas; est\u00e3o mais para uma arquitetura high tech, estranha, alien\u00edgena.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Revitaliza\u00e7\u00e3o<\/h3>\n\n\n\n<p>O museu Guggenheim \u00e9 um exemplo de projeto cultural bem sucedido. Revitalizou uma \u00e1rea importante da cidade de Bilbao; foi constru\u00eddo dentro do prazo e do or\u00e7amento; criou oportunidade para um dos g\u00eanios da arquitetura contempor\u00e2nea soltar as asas da imagina\u00e7\u00e3o e deu \u00e0 cidade de Bilbao um marco visual, al\u00e9m de ganhos com o turismo. J\u00e1 \u00e9 uma tradi\u00e7\u00e3o moderna criar espa\u00e7os de valor art\u00edstico para abrigar obras de valor art\u00edstico. <\/p>\n\n\n\n<p>A funda\u00e7\u00e3o Guggenheim \u00e9 especialista nessa pr\u00e1tica. Basta lembrar do Guggenheim de Nova York, outra obra prima projetada pelo lend\u00e1rio Frank Loyd Wright. Como toda obra de vanguarda, o Guggenheim Bilbao est\u00e1 sujeito a cr\u00edticas: seu custo de manuten\u00e7\u00e3o \u00e9 alto e n\u00e3o \u00e9 f\u00e1cil preencher seus amplos espa\u00e7os com obras de qualidade compat\u00edvel com sua aura de obra prima arquitet\u00f4nica.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Imagens no Flickr<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/www.flickr.com\/photos\/radamesm\/galleries\/72157626847507591\/\"><img data-recalc-dims=\"1\" decoding=\"async\" data-attachment-id=\"283\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/?attachment_id=283\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-caligula-1.jpg?fit=191%2C191&amp;ssl=1\" data-orig-size=\"191,191\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Cena do filme Cal\u00edgula\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-caligula-1.jpg?fit=191%2C191&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/museu-guggenheim-bilbao-flickr.jpg?w=604&#038;ssl=1\" alt=\"\" class=\"wp-image-283\"\/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Informa\u00e7\u00f5es<\/h2>\n\n\n\n<p>Museu Guggenheim<br>Bilbao, Espanha<br>Arquiteto: Frank Gehry<br>Inaugurado em 1997<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Imagens do Wikimedia Commons<\/h2>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img data-id=\"486\" class=\"wp-image-486\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"487\" class=\"wp-image-487\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"488\" class=\"wp-image-488\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"489\" class=\"wp-image-489\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"490\" class=\"wp-image-490\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"491\" class=\"wp-image-491\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-id=\"492\" class=\"wp-image-492\"\/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-jetpack-tiled-gallery aligncenter is-style-rectangular\"><div class=\"tiled-gallery__gallery\"><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:52.934477649580735%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg\"><img decoding=\"async\" data-attachment-id=\"1163\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg?fit=450%2C600&amp;ssl=1\" data-attachment-id=\"1163\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-7\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg?fit=450%2C600&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 1 de 7 em tela cheia\"srcset=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg?strip=info&#038;w=450 450w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1163\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-7\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg\" data-width=\"450\" src=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-7.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:47.06552235041926%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg\"><img decoding=\"async\" data-attachment-id=\"1162\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg?fit=400%2C600&amp;ssl=1\" data-orig-size=\"400,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg?fit=400%2C600&amp;ssl=1\" data-attachment-id=\"1162\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg?fit=400%2C600&amp;ssl=1\" data-orig-size=\"400,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg?fit=400%2C600&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 2 de 7 em tela cheia\"srcset=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg?strip=info&#038;w=400 400w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1162\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-6\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg\" data-width=\"400\" src=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-6.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:63.95310825294749%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg\"><img decoding=\"async\" data-attachment-id=\"1146\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?fit=604%2C453&amp;ssl=1\" data-attachment-id=\"1146\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-5\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?fit=604%2C453&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 3 de 7 em tela cheia\"srcset=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?strip=info&#038;w=600 600w,https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg?strip=info&#038;w=800 800w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1146\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-5\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg\" data-width=\"800\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-5.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:36.04689174705252%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg\"><img decoding=\"async\" data-attachment-id=\"1145\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg?fit=450%2C600&amp;ssl=1\" data-attachment-id=\"1145\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-4\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg?fit=450%2C600&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 4 de 7 em tela cheia\"srcset=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg?strip=info&#038;w=450 450w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1145\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-4\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg\" data-width=\"450\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-4.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><\/div><div class=\"tiled-gallery__row\"><div class=\"tiled-gallery__col\" style=\"flex-basis:48.77322435981758%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg\"><img decoding=\"async\" data-attachment-id=\"1144\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg?fit=450%2C600&amp;ssl=1\" data-attachment-id=\"1144\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg?fit=450%2C600&amp;ssl=1\" data-orig-size=\"450,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg?fit=450%2C600&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 5 de 7 em tela cheia\"srcset=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg?strip=info&#038;w=450 450w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1144\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-3\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg\" data-width=\"450\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-3.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><div class=\"tiled-gallery__col\" style=\"flex-basis:51.22677564018243%\"><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i1.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg\"><img decoding=\"async\" data-attachment-id=\"1143\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?fit=604%2C453&amp;ssl=1\" data-attachment-id=\"1143\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?fit=800%2C600&amp;ssl=1\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?fit=604%2C453&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 6 de 7 em tela cheia\"srcset=\"https:\/\/i1.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?strip=info&#038;w=600 600w,https:\/\/i1.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg?strip=info&#038;w=800 800w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"600\" data-id=\"1143\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-2\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg\" data-width=\"800\" src=\"https:\/\/i1.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-2.jpg\" layout=\"responsive\"\/><\/a><\/figure><figure class=\"tiled-gallery__item\"><a href=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg\"><img decoding=\"async\" data-attachment-id=\"1142\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?fit=800%2C405&amp;ssl=1\" data-orig-size=\"800,405\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?fit=604%2C306&amp;ssl=1\" data-attachment-id=\"1142\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?fit=800%2C405&amp;ssl=1\" data-orig-size=\"800,405\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Museu Guggenheim Bilbao\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?fit=604%2C306&amp;ssl=1\" role=\"button\" tabindex=\"0\" aria-label=\"Abrir imagem 7 de 7 em tela cheia\"srcset=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?strip=info&#038;w=600 600w,https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg?strip=info&#038;w=800 800w\" alt=\"Museu Guggenheim Bilbao\" data-height=\"405\" data-id=\"1142\" data-link=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/attachment\/guggenheim-bilbao-1\/\" data-url=\"https:\/\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg\" data-width=\"800\" src=\"https:\/\/i2.wp.com\/radames.manosso.nom.br\/critica\/files\/guggenheim-bilbao-1.jpg\" layout=\"responsive\"\/><\/a><\/figure><\/div><\/div><\/div><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Arquitetura<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/\">Museu Guggenheim Bilbao<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/cidade-das-artes-e-das-ciencias-de-valencia\/\">Cidade das artes e das ci\u00eancias de Val\u00eancia<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/ponte-jk\/\">Ponte JK<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-das-canoas\/\">Casa das Canoas<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-farnsworth\/\">Casa Farnsworth<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/catedral-de-sao-basilio\/\">Catedral de S\u00e3o Bas\u00edlio<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-de-vidro\/\">Casa de vidro<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/catedral-de-brasilia\/\">Catedral de Bras\u00edlia<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/taj-mahal\/\">Taj Mahal<\/a><\/li><li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-da-cascata\/\">Casa da cascata<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Creio que n\u00e3o sou o \u00fanico a ficar perturbado com o impacto visual que o Museu Guggenheim Bilbao provoca em quem o admira. Suas formas lembrariam um navio? Suas placas de tit\u00e2nio seriam como escamas de peixe? Seus volumes de a\u00e7o seriam como bandeiras tremulando? Ou talvez, a imprevisibilidade das formas desse pr\u00e9dio seja nada &hellip; <a href=\"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/museu-guggenheim-bilbao\/\" class=\"more-link\">Continue lendo <span class=\"screen-reader-text\">Museu Guggenheim Bilbao<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[180],"tags":[138,140,146,147,148,161,174,177,179],"class_list":["post-1159","post","type-post","status-publish","format-standard","hentry","category-arquitetura","tag-aco","tag-bilbao","tag-desconstrutivismo","tag-espanha","tag-frank-gehry","tag-museu","tag-seculo-xx","tag-titanio","tag-vidro"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p14lZD-iH","jetpack-related-posts":[{"id":1154,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/catedral-de-sao-basilio\/","url_meta":{"origin":1159,"position":0},"title":"Catedral de S\u00e3o Bas\u00edlio","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"Catedral de S\u00e3o Bas\u00edlio","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/catedral-de-sao-basilio-12-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1157,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/ponte-jk\/","url_meta":{"origin":1159,"position":1},"title":"Ponte JK","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-o-diabo-veste-prada-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1156,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-das-canoas\/","url_meta":{"origin":1159,"position":2},"title":"Casa das canoas","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-os-infiltrados-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1158,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/cidade-das-artes-e-das-ciencias-de-valencia\/","url_meta":{"origin":1159,"position":3},"title":"Cidade das artes e das ci\u00eancias de Val\u00eancia","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"http:\/\/maps.google.com\/maps?ie=UTF8&hl=pt-BR&cid=16359325764475072643&sll=16.074357,-5.246822&sspn=79.356313,166.577856&hq=&hnear=&ll=39.456756,-0.353408&spn=0.009212,0.01929&t=h&z=16","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/filme-fahrenheit-451.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1155,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-farnsworth\/","url_meta":{"origin":1159,"position":4},"title":"Casa Farnsworth","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"Casa Farnsworth","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/farnsworth-house-7.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/farnsworth-house-7.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/farnsworth-house-7.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/farnsworth-house-7.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1153,"url":"https:\/\/radames.manosso.nom.br\/critica\/arquitetura\/casa-de-vidro\/","url_meta":{"origin":1159,"position":5},"title":"Casa de vidro","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"","rel":"","context":"Em &quot;Arquitetura&quot;","block_context":{"text":"Arquitetura","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/arquitetura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/casa-de-vidro-5.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/casa-de-vidro-5.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/casa-de-vidro-5.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/casa-de-vidro-5.jpg?resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/posts\/1159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/comments?post=1159"}],"version-history":[{"count":5,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/posts\/1159\/revisions"}],"predecessor-version":[{"id":1471,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/posts\/1159\/revisions\/1471"}],"wp:attachment":[{"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/media?parent=1159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/categories?post=1159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radames.manosso.nom.br\/critica\/wp-json\/wp\/v2\/tags?post=1159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}