{"id":40,"date":"2010-09-11T17:57:24","date_gmt":"2010-09-11T20:57:24","guid":{"rendered":"http:\/\/radames.manosso.nom.br\/critica\/?p=40"},"modified":"2021-03-11T14:54:53","modified_gmt":"2021-03-11T17:54:53","slug":"128-dramas","status":"publish","type":"post","link":"https:\/\/radames.manosso.nom.br\/critica\/dramas\/128-dramas\/","title":{"rendered":"128 melhores pe\u00e7as teatrais"},"content":{"rendered":"\n

Assistir \u00e0s 128 pe\u00e7as teatrais desta lista n\u00e3o \u00e9 tarefa simples. Os livros com os textos de cada uma est\u00e3o facilmente dispon\u00edveis nas livrarias e bibliotecas, mas n\u00e3o \u00e9 f\u00e1cil estar no lugar certo na hora certa em que as boas montagens acontecem. Bem, temos a vida toda para isso.<\/p>\n\n\n\n

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Tabela das 128 melhores pe\u00e7as teatrais (dramas)<\/h3>\n\n\n\n

A tabela abaixo permite classifica\u00e7\u00e3o, filtragem e busca. Use \u00e0 vontade.<\/p>\n\n\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
T\u00edtulo<\/th>Autor<\/th>Publica\u00e7\u00e3o<\/th>Idioma<\/th>\n<\/tr>\n<\/thead>\n
Estado de S\u00edtio<\/td>Albert Camus<\/td>1947<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Boris Godunov<\/td>Aleksandr Puchkin<\/td>1825<\/td>Russo<\/td>\n<\/tr>\n
A Dama das Cam\u00e9lias<\/td>Alexandre Dumas Filho<\/td>1848<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Ubu Rei<\/td>Alfred Jarry<\/td>1896<\/td>Franc\u00eas<\/td>\n<\/tr>\n
As Tr\u00eas Irm\u00e3s<\/td>Anton Tchekhov<\/td>1901<\/td>Russo<\/td>\n<\/tr>\n
O Jardim das cerejeiras<\/td>Anton Tchekhov<\/td>1904<\/td>Russo<\/td>\n<\/tr>\n
Tio V\u00e2nia<\/td>Anton Tchekhov<\/td>1889<\/td>Russo<\/td>\n<\/tr>\n
O Auto da Compadecida<\/td>Ariano Suassuna<\/td>1955<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
O santo e a porca<\/td>Ariano Suassuna<\/td>1957<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
As Nuvens<\/td>Arist\u00f3fanes<\/td>-423<\/td>Grego<\/td>\n<\/tr>\n
As r\u00e3s<\/td>Arist\u00f3fanes<\/td><\/td>Grego<\/td>\n<\/tr>\n
Todos Contra Todos<\/td>Arthur Adamov<\/td>1955<\/td>Franc\u00eas<\/td>\n<\/tr>\n
A Morte do Caixeiro Viajante<\/td>Arthur Miller<\/td>1949<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
As Bruxas de Salem<\/td>Arthur Miller<\/td>1953<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Depois da queda<\/td>Arthur Miller<\/td>1964<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O Caminho de Damasco<\/td>August Strindberg<\/td>1898<\/td>Sueco<\/td>\n<\/tr>\n
Senhorita J\u00falia<\/td>August Strindberg<\/td>1888<\/td>Sueco<\/td>\n<\/tr>\n
Arena conta Zumbi<\/td>Augusto Boal<\/td>1965<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
O Alquimista<\/td>Ben Jonson<\/td>1610<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
A \u00d3pera dos Tr\u00eas Vint\u00e9ns<\/td>Bertolt Brecht<\/td>1928<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Galileu Galilei<\/td>Bertolt Brecht<\/td>1943<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Terror e mist\u00e9rio do Terceiro Reich<\/td>Bertolt Brecht<\/td>1944<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
A vida \u00e9 Sonho<\/td>Calderon de la Barca<\/td>1635<\/td>Espanhol<\/td>\n<\/tr>\n
Arlequim, Servidor de Dois Amos<\/td>Carlo Goldoni<\/td>1745<\/td>Italiano<\/td>\n<\/tr>\n
O Amor de Tr\u00eas Laranjas<\/td>Carlo Gozzi<\/td><\/td>Italiano<\/td>\n<\/tr>\n
\u00d3pera do malandro<\/td>Chico Buarque<\/td>1977<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Gota D'\u00e1gua<\/td>Chico Buarque e Paulo Pontes<\/td>1975<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Doutor Fausto<\/td>Christopher Marlowe<\/td>1588<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
S\u00e1tiras<\/td>D\u00e9cimo Juvenal<\/td><\/td>Latim<\/td>\n<\/tr>\n
O Pagador de Promessas<\/td>Dias Gomes<\/td><\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Cyrano de Bergerac<\/td>Edmond Rostand<\/td>1897<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Quem tem medo de Virginia Woolf?<\/td>Edward Albee<\/td>1962<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O destruidor da m\u00e1quina<\/td>Ernst Toller<\/td>1922<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
As suplicantes<\/td>\u00c9squilo<\/td><\/td>Grego<\/td>\n<\/tr>\n
Prometeu Acorrentado<\/td>\u00c9squilo<\/td><\/td>Grego<\/td>\n<\/tr>\n
Sete contra Tebas<\/td>\u00c9squilo<\/td><\/td>Grego<\/td>\n<\/tr>\n
A cantora careca<\/td>Eugene Ionesco<\/td>1950<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Rinoceronte<\/td>Eugene Ionesco<\/td>1960<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Longa Jornada Noite Adentro<\/td>Eugene O'Neill<\/td>1940<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O luto fica bem em Eletra<\/td>Eugene O'Neill<\/td>1931<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O Copo de \u00c1gua<\/td>Eugene Scribe<\/td><\/td>Franc\u00eas<\/td>\n<\/tr>\n
As Bacantes<\/td>Euripides<\/td><\/td>Grego<\/td>\n<\/tr>\n
As Troianas<\/td>Euripides<\/td><\/td>Grego<\/td>\n<\/tr>\n
Med\u00e9ia<\/td>Euripides<\/td><\/td>Grego<\/td>\n<\/tr>\n
Bodas de sangue<\/td>Federico Garcia Lorca<\/td>1935<\/td>Espanhol<\/td>\n<\/tr>\n
Cemit\u00e9rio de Autom\u00f3veis<\/td>Fernando Arrabal<\/td>1958<\/td>Espanhol<\/td>\n<\/tr>\n
O arquiteto e o imperador da Ass\u00edria<\/td>Fernando Arrabal<\/td>1967<\/td>Espanhol<\/td>\n<\/tr>\n
O Despertar da Primavera<\/td>Frank Wedekind<\/td><\/td>Alem\u00e3o<\/td>\n<\/tr>\n
A Visita da Velha Senhora<\/td>Friedrich Durrenmatt<\/td><\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Judite<\/td>Friedrich Hebbel<\/td><\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Tempestade e \u00ccmpeto<\/td>Friedrich Klinger<\/td>1776<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Guilherme Tell<\/td>Friedrich Schiller<\/td>1804<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Maria Stuart<\/td>Friedrich Schiller<\/td>1801<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
A Morte de Danton<\/td>Georg B\u00fcchner<\/td>1834<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Pigmale\u00e3o<\/td>George Bernard Shaw<\/td>1912<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Santa Joana<\/td>George Bernard Shaw<\/td>1922<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Eles n\u00e3o Usam Blacktie<\/td>Gianfrancesco Guarnieri<\/td>1958<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Auto da Barca do Inferno<\/td>Gil Vicente<\/td>1517<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Nathan, o S\u00e1bio<\/td>Gotthold Lessing<\/td>1779<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
O Colecionador<\/td>Harold Pinter<\/td>1963<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O Pr\u00edncipe Friedrich on Hamburg<\/td>Heinrich von Kleist<\/td><\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Casa das Bonecas<\/td>Henrik Ibsen<\/td>1879<\/td>Sueco<\/td>\n<\/tr>\n
Peer Gyint<\/td>Henrik Ibsen<\/td>1867<\/td>Sueco<\/td>\n<\/tr>\n
Um inimigo do povo<\/td>Henrik Ibsen<\/td>1882<\/td>Sueco<\/td>\n<\/tr>\n
O Homem Comum<\/td>Hugo Von Hofmannsthal<\/td>1911<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Becket<\/td>Jean Anouilh<\/td>1959<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Escola de Mulheres<\/td>Jean Baptiste Moliere<\/td><\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Avarento<\/td>Jean Baptiste Moliere<\/td>1668<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Burgu\u00eas Fidalgo<\/td>Jean Baptiste Moliere<\/td><\/td>Franc\u00eas<\/td>\n<\/tr>\n
Tartufo<\/td>Jean Baptiste Moliere<\/td>1664<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Balc\u00e3o<\/td>Jean Genet<\/td>1956<\/td>Franc\u00eas<\/td>\n<\/tr>\n
A prostituta respeitosa<\/td>Jean Paul Sartre<\/td>1946<\/td>Franc\u00eas<\/td>\n<\/tr>\n
As m\u00e3os sujas<\/td>Jean Paul Sartre<\/td>1948<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Berenice<\/td>Jean Racine<\/td>1670<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Fedra<\/td>Jean Racine<\/td>1677<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Fausto<\/td>Johan Goethe<\/td><\/td>Alem\u00e3o<\/td>\n<\/tr>\n
Que Pena que Ela Seja uma Puta<\/td>John Ford<\/td><\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O Prod\u00edgio do Mundo Ocidental<\/td>John Millington Synge<\/td>1907<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
A Morat\u00f3ria<\/td>Jorge de Andrade<\/td>1954<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
O Melhor Juiz, o Rei<\/td>Lope de Veja<\/td><\/td>Espanhol<\/td>\n<\/tr>\n
O falecido Mattia Pascal<\/td>Luigi Pirandello<\/td>1904<\/td>Italiano<\/td>\n<\/tr>\n
Seis Personagens \u00e0 Procura de um Autor<\/td>Luigi Pirandello<\/td>1922<\/td>Italiano<\/td>\n<\/tr>\n
O Novi\u00e7o<\/td>Martins Pena<\/td><\/td>Portugu\u00eas<\/td>\n<\/tr>\n
O p\u00e1ssaro Azul<\/td>Maurice Maeterlinck<\/td>1909<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Pequenos Burgueses<\/td>M\u00e1ximo Gorki<\/td>1902<\/td>Russo<\/td>\n<\/tr>\n
Ral\u00e9<\/td>M\u00e1ximo Gorki<\/td>1902<\/td>Russo<\/td>\n<\/tr>\n
O Beijo no Asfalto<\/td>Nelson Rodrigues<\/td>1960<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Toda nudez ser\u00e1 castigada<\/td>Nelson Rodrigues<\/td>1965<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Vestido de Noiva<\/td>Nelson Rodrigues<\/td>1943<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
A Mandr\u00e1gora<\/td>Nicolau Maquiavel<\/td>1520<\/td>Italiano<\/td>\n<\/tr>\n
O Inspetor Geral<\/td>Nikolai Gogol<\/td>1836<\/td>Russo<\/td>\n<\/tr>\n
Rasga Cora\u00e7\u00e3o<\/td>Oduvaldo Viana Filho<\/td>1974<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Salom\u00e9<\/td>Oscar Wilde<\/td>1893<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Marat Sade<\/td>Peter Weiss<\/td>1966<\/td>Alem\u00e3o<\/td>\n<\/tr>\n
\u00c1tila<\/td>Pierre Corneille<\/td>1667<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Cid<\/td>Pierre Corneille<\/td>1636<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Jogo do Amor e do Acaso<\/td>Pierre Marivaux<\/td>1730<\/td>Franc\u00eas<\/td>\n<\/tr>\n
As Bodas de F\u00edgaro<\/td>Pierre-Augustin Caron de Beaumarchais<\/td>1784<\/td>Franc\u00eas<\/td>\n<\/tr>\n
O Fil\u00f3sofo<\/td>Pietro Aretino<\/td>1546<\/td>Italiano<\/td>\n<\/tr>\n
Dois perdidos numa noite suja<\/td>Pl\u00ednio Marcos<\/td>1966<\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Navalha na Carne<\/td>Pl\u00ednio Marcos<\/td><\/td>Portugu\u00eas<\/td>\n<\/tr>\n
Os dois irm\u00e3os<\/td>P\u00fablio Ter\u00eancio<\/td><\/td>Latim<\/td>\n<\/tr>\n
Oeste Verdadeiro<\/td>Sam Shepard<\/td><\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Esperando Godot<\/td>Samuel Beckett<\/td>1948<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Fim de jogo<\/td>Samuel Beckett<\/td>1956<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Oh, que belos dias<\/td>Samuel Beckett<\/td>1962<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Fedra<\/td>S\u00eaneca<\/td><\/td>Latim<\/td>\n<\/tr>\n
Med\u00e9ia<\/td>S\u00eaneca<\/td><\/td>Latim<\/td>\n<\/tr>\n
Ant\u00edgona<\/td>S\u00f3focles<\/td>-442<\/td>Grego<\/td>\n<\/tr>\n
\u00c9dipo Rei<\/td>S\u00f3focles<\/td>-430<\/td>Grego<\/td>\n<\/tr>\n
Electra<\/td>S\u00f3focles<\/td>-418<\/td>Grego<\/td>\n<\/tr>\n
Doce p\u00e1ssaro da juventude<\/td>Tennesse Williams<\/td>1959<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Gata em Teto de Zinco Quente<\/td>Tennesse Williams<\/td>1947<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Um Bonde Chamado Desejo<\/td>Tennesse Williams<\/td>1955<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O eunuco<\/td>Ter\u00eancio<\/td><\/td>Latim<\/td>\n<\/tr>\n
Veneza Salva<\/td>Thomas Otway<\/td><\/td>Ingl\u00eas<\/td>\n<\/tr>\n
O Trapaceiro de Sevilha e o Convidado de Pedra<\/td>Tirso de Molina<\/td>1630<\/td>Espanhol<\/td>\n<\/tr>\n
Anfitri\u00e3o<\/td>Tito Plauto<\/td><\/td>Latim<\/td>\n<\/tr>\n
Hernani<\/td>Vitor Hugo<\/td>1830<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Saul<\/td>Vittorio Alfieri<\/td>1782<\/td>Italiano<\/td>\n<\/tr>\n
Maom\u00e9<\/td>Voltaire<\/td>1731<\/td>Franc\u00eas<\/td>\n<\/tr>\n
Hamlet<\/td>William Shakespeare<\/td>1600<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Macbeth<\/td>William Shakespeare<\/td>1606<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Otelo<\/td>William Shakespeare<\/td>1604<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Rei Lear<\/td>William Shakespeare<\/td>1608<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Ricardo III<\/td>William Shakespeare<\/td><\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Romeu e Julieta<\/td>William Shakespeare<\/td>1595<\/td>Ingl\u00eas<\/td>\n<\/tr>\n
Sonho de uma noite de ver\u00e3o<\/td>William Shakespeare<\/td><\/td>Ingl\u00eas<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n

Listas<\/h3>\n\n\n\n