{"id":880,"date":"2018-01-03T20:54:14","date_gmt":"2018-01-03T23:54:14","guid":{"rendered":"http:\/\/radames.manosso.nom.br\/critica\/?p=880"},"modified":"2026-06-29T17:46:04","modified_gmt":"2026-06-29T20:46:04","slug":"melhores-musicas-de-todos-os-tempos-eruditas","status":"publish","type":"post","link":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-eruditas\/","title":{"rendered":"Melhores m\u00fasicas: eruditas"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Uma sele\u00e7\u00e3o de 128 cl\u00e1ssicos da m\u00fasica erudita, todos populares, na medida da popularidade esperada para esta categoria musical. Dizem que a express\u00e3o m\u00fasica cl\u00e1ssica se aplica apenas \u00e0 m\u00fasica erudita do per\u00edodo cl\u00e1ssico, mas estamos falando de m\u00fasica instrumental para orquestra ou c\u00e2mara com tradi\u00e7\u00e3o que remonta h\u00e1 s\u00e9culos.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"350\" data-attachment-id=\"1855\" data-permalink=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-eruditas\/attachment\/herbert-karajan\/\" data-orig-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?fit=600%2C350&amp;ssl=1\" data-orig-size=\"600,350\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Herbert von Karajan\" data-image-description=\"&lt;p&gt;Herbert von Karajan&lt;\/p&gt;\n\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?fit=600%2C350&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?resize=600%2C350&#038;ssl=1\" alt=\"Herbert von Karajan\" class=\"wp-image-1855\" srcset=\"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/herbert-karajan.jpg?resize=300%2C175&amp;ssl=1 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Ou\u00e7a no Spotify<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00e3o tr\u00eas playlists separadas pela \u00e9poca de lan\u00e7amento das obras.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1800-<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Classical music 1800-\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/2dArfjrhpBmbfIgJZ9lGw3?si=6789e50e2cfa4afe&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">S\u00e9culo XIX<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Classical music 19th century\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/7ckpyDSUITFYONhrLeQ51G?si=fb0aec9f7b04437f&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">1900+<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Classical music 1900+\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/0d5578u7zprlmS6RwXu73h?si=4ef70d5e3a81402c&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">A lista<\/h2>\n\n\n\n<table id=\"tablepress-15\" class=\"tablepress tablepress-id-15\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\">Obra<\/th><th class=\"column-2\">Compositor<\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Ad\u00e1gio em Sol menor<\/td><td class=\"column-2\">Albinioni<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">\u00c1ria na corda Sol<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Concerto de Brandenburgo n. 3<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Jesus alegria dos homens<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">O cravo bem temperado &#8211; Prel\u00fadio e fuga 1<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Suite para violoncelo n. 1<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Tocata e fuga em R\u00e9 menor<\/td><td class=\"column-2\">Bach<\/td>\n<\/tr>\n<tr class=\"row-9\">\n\t<td class=\"column-1\">Egmont &#8211; abertura<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-10\">\n\t<td class=\"column-1\">Marcha turca<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-11\">\n\t<td class=\"column-1\">Nona sinfonia<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-12\">\n\t<td class=\"column-1\">Para Elisa<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-13\">\n\t<td class=\"column-1\">Quinta sinfonia<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-14\">\n\t<td class=\"column-1\">Sexta sinfonia &#8211; Pastoral<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-15\">\n\t<td class=\"column-1\">Sonata ao luar<\/td><td class=\"column-2\">Beethoven<\/td>\n<\/tr>\n<tr class=\"row-16\">\n\t<td class=\"column-1\">Carmen &#8211; abertura<\/td><td class=\"column-2\">Bizet<\/td>\n<\/tr>\n<tr class=\"row-17\">\n\t<td class=\"column-1\">Minueto<\/td><td class=\"column-2\">Boccherini<\/td>\n<\/tr>\n<tr class=\"row-18\">\n\t<td class=\"column-1\">Dan\u00e7as polotsianas<\/td><td class=\"column-2\">Borodin<\/td>\n<\/tr>\n<tr class=\"row-19\">\n\t<td class=\"column-1\">Can\u00e7\u00e3o de ninar &#8211; Lullaby<\/td><td class=\"column-2\">Brahms<\/td>\n<\/tr>\n<tr class=\"row-20\">\n\t<td class=\"column-1\">Dan\u00e7a h\u00fangara n. 5<\/td><td class=\"column-2\">Brahms<\/td>\n<\/tr>\n<tr class=\"row-21\">\n\t<td class=\"column-1\">Valsa em l\u00e1 maior &#8211; Op. 39<\/td><td class=\"column-2\">Brahms<\/td>\n<\/tr>\n<tr class=\"row-22\">\n\t<td class=\"column-1\">O guarani &#8211; abertura<\/td><td class=\"column-2\">Carlos Gomes<\/td>\n<\/tr>\n<tr class=\"row-23\">\n\t<td class=\"column-1\">Grande valsa brilhante<\/td><td class=\"column-2\">Chopin<\/td>\n<\/tr>\n<tr class=\"row-24\">\n\t<td class=\"column-1\">Marcha f\u00fanebre da sonata para piano no. 2<\/td><td class=\"column-2\">Chopin<\/td>\n<\/tr>\n<tr class=\"row-25\">\n\t<td class=\"column-1\">Noturno Op. 9 n. 2<\/td><td class=\"column-2\">Chopin<\/td>\n<\/tr>\n<tr class=\"row-26\">\n\t<td class=\"column-1\">Concerto grosso Op. 6<\/td><td class=\"column-2\">Corelli<\/td>\n<\/tr>\n<tr class=\"row-27\">\n\t<td class=\"column-1\">La follia<\/td><td class=\"column-2\">Corelli<\/td>\n<\/tr>\n<tr class=\"row-28\">\n\t<td class=\"column-1\">El amor brujo &#8211; danza ritual del fuego<\/td><td class=\"column-2\">De Falla<\/td>\n<\/tr>\n<tr class=\"row-29\">\n\t<td class=\"column-1\">Claire de lune<\/td><td class=\"column-2\">Debussy<\/td>\n<\/tr>\n<tr class=\"row-30\">\n\t<td class=\"column-1\">Aprendiz de feiticeiro<\/td><td class=\"column-2\">Dukas<\/td>\n<\/tr>\n<tr class=\"row-31\">\n\t<td class=\"column-1\">Humoresque<\/td><td class=\"column-2\">Dvorak<\/td>\n<\/tr>\n<tr class=\"row-32\">\n\t<td class=\"column-1\">Sinfonia n. 9 Novo Mundo &#8211; final<\/td><td class=\"column-2\">Dvorak<\/td>\n<\/tr>\n<tr class=\"row-33\">\n\t<td class=\"column-1\">Pompa e circunst\u00e2ncia<\/td><td class=\"column-2\">Elgar<\/td>\n<\/tr>\n<tr class=\"row-34\">\n\t<td class=\"column-1\">Entrada dos gladiadores<\/td><td class=\"column-2\">Fucik<\/td>\n<\/tr>\n<tr class=\"row-35\">\n\t<td class=\"column-1\">Raphsody in blue<\/td><td class=\"column-2\">Gershwin<\/td>\n<\/tr>\n<tr class=\"row-36\">\n\t<td class=\"column-1\">Ave Maria<\/td><td class=\"column-2\">Gounod<\/td>\n<\/tr>\n<tr class=\"row-37\">\n\t<td class=\"column-1\">A manh\u00e3<\/td><td class=\"column-2\">Grieg<\/td>\n<\/tr>\n<tr class=\"row-38\">\n\t<td class=\"column-1\">Concerto para piano &#8211; opus 16<\/td><td class=\"column-2\">Grieg<\/td>\n<\/tr>\n<tr class=\"row-39\">\n\t<td class=\"column-1\">Na gruta do rei da montanha<\/td><td class=\"column-2\">Grieg<\/td>\n<\/tr>\n<tr class=\"row-40\">\n\t<td class=\"column-1\">A chegada da rainha de Sab\u00e1<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-41\">\n\t<td class=\"column-1\">Aleluia<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-42\">\n\t<td class=\"column-1\">M\u00fasica para os reais fogos de artif\u00edcio<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-43\">\n\t<td class=\"column-1\">Passacaglia<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-44\">\n\t<td class=\"column-1\">Sarabanda<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-45\">\n\t<td class=\"column-1\">Zadok The Priest<\/td><td class=\"column-2\">Haendel<\/td>\n<\/tr>\n<tr class=\"row-46\">\n\t<td class=\"column-1\">Concerto para trompete em Mi menor<\/td><td class=\"column-2\">Haydin<\/td>\n<\/tr>\n<tr class=\"row-47\">\n\t<td class=\"column-1\">Os planetas &#8211; J\u00fapiter<\/td><td class=\"column-2\">Holst<\/td>\n<\/tr>\n<tr class=\"row-48\">\n\t<td class=\"column-1\">Os planetas &#8211; Marte<\/td><td class=\"column-2\">Holst<\/td>\n<\/tr>\n<tr class=\"row-49\">\n\t<td class=\"column-1\">Marcha do pr\u00edncipe da Dinamarca<\/td><td class=\"column-2\">Jeremiah Clarke<\/td>\n<\/tr>\n<tr class=\"row-50\">\n\t<td class=\"column-1\">Concierto de Aranjuez<\/td><td class=\"column-2\">Joaquin Rodrigo<\/td>\n<\/tr>\n<tr class=\"row-51\">\n\t<td class=\"column-1\">Radetzky March<\/td><td class=\"column-2\">Johann Strauss I<\/td>\n<\/tr>\n<tr class=\"row-52\">\n\t<td class=\"column-1\">Contos dos bosques de Viena<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-53\">\n\t<td class=\"column-1\">O Dan\u00fabio azul &#8211; opus 314<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-54\">\n\t<td class=\"column-1\">Sangue vienense &#8211; opus 354<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-55\">\n\t<td class=\"column-1\">Tritsch-Tratsch-polka<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-56\">\n\t<td class=\"column-1\">Valsa do imperador &#8211; opus 437<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-57\">\n\t<td class=\"column-1\">Vozes da primavera<\/td><td class=\"column-2\">Johann Strauss II<\/td>\n<\/tr>\n<tr class=\"row-58\">\n\t<td class=\"column-1\">Sobre as ondas<\/td><td class=\"column-2\">Juventino Rosas<\/td>\n<\/tr>\n<tr class=\"row-59\">\n\t<td class=\"column-1\">Dan\u00e7a dos sabres<\/td><td class=\"column-2\">Kachaturian<\/td>\n<\/tr>\n<tr class=\"row-60\">\n\t<td class=\"column-1\">Mascarada &#8211; valsa<\/td><td class=\"column-2\">Kachaturian<\/td>\n<\/tr>\n<tr class=\"row-61\">\n\t<td class=\"column-1\">Sylvia &#8211; Pizzicato<\/td><td class=\"column-2\">L\u00e9o Delibes<\/td>\n<\/tr>\n<tr class=\"row-62\">\n\t<td class=\"column-1\">Fanfarra pelo homem comum<\/td><td class=\"column-2\">Levine<\/td>\n<\/tr>\n<tr class=\"row-63\">\n\t<td class=\"column-1\">Raps\u00f3dia h\u00fangara n. 2<\/td><td class=\"column-2\">Liszt<\/td>\n<\/tr>\n<tr class=\"row-64\">\n\t<td class=\"column-1\">Sonho de amor<\/td><td class=\"column-2\">Liszt<\/td>\n<\/tr>\n<tr class=\"row-65\">\n\t<td class=\"column-1\">Cavalaria rusticana &#8211; Intermezzo<\/td><td class=\"column-2\">Mascagni<\/td>\n<\/tr>\n<tr class=\"row-66\">\n\t<td class=\"column-1\">Can\u00e7\u00e3o de primavera<\/td><td class=\"column-2\">Mendelssohn<\/td>\n<\/tr>\n<tr class=\"row-67\">\n\t<td class=\"column-1\">Marcha nupcial<\/td><td class=\"column-2\">Mendelssohn<\/td>\n<\/tr>\n<tr class=\"row-68\">\n\t<td class=\"column-1\">Magnificat<\/td><td class=\"column-2\">Monteverdi<\/td>\n<\/tr>\n<tr class=\"row-69\">\n\t<td class=\"column-1\">As bodas de F\u00edgaro &#8211; abertura<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-70\">\n\t<td class=\"column-1\">Concerto para piano n. 21<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-71\">\n\t<td class=\"column-1\">Eine kleine Nachtmusik<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-72\">\n\t<td class=\"column-1\">Marcha turca<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-73\">\n\t<td class=\"column-1\">Requiem em R\u00e9 menor<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-74\">\n\t<td class=\"column-1\">Sinfonia n. 40<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-75\">\n\t<td class=\"column-1\">Sinfonia no 25 alegro<\/td><td class=\"column-2\">Mozart<\/td>\n<\/tr>\n<tr class=\"row-76\">\n\t<td class=\"column-1\">Quadros de uma exposi\u00e7\u00e3o<\/td><td class=\"column-2\">Mussorgski<\/td>\n<\/tr>\n<tr class=\"row-77\">\n\t<td class=\"column-1\">Uma noite no monte calvo<\/td><td class=\"column-2\">Mussorgski<\/td>\n<\/tr>\n<tr class=\"row-78\">\n\t<td class=\"column-1\">Galope infernal<\/td><td class=\"column-2\">Offenbach<\/td>\n<\/tr>\n<tr class=\"row-79\">\n\t<td class=\"column-1\">Carmina burana O fortuna<\/td><td class=\"column-2\">Orff<\/td>\n<\/tr>\n<tr class=\"row-80\">\n\t<td class=\"column-1\">Canon em r\u00e9 maior<\/td><td class=\"column-2\">Pachelbel<\/td>\n<\/tr>\n<tr class=\"row-81\">\n\t<td class=\"column-1\">Capricho n. 24<\/td><td class=\"column-2\">Paganini<\/td>\n<\/tr>\n<tr class=\"row-82\">\n\t<td class=\"column-1\">Capricho n. 5<\/td><td class=\"column-2\">Paganini<\/td>\n<\/tr>\n<tr class=\"row-83\">\n\t<td class=\"column-1\">A dan\u00e7a das horas<\/td><td class=\"column-2\">Ponchielli<\/td>\n<\/tr>\n<tr class=\"row-84\">\n\t<td class=\"column-1\">Dan\u00e7a dos cavaleiros<\/td><td class=\"column-2\">Prokofiev<\/td>\n<\/tr>\n<tr class=\"row-85\">\n\t<td class=\"column-1\">Pedro e o lobo &#8211; opus 67<\/td><td class=\"column-2\">Prokofiev<\/td>\n<\/tr>\n<tr class=\"row-86\">\n\t<td class=\"column-1\">Concerto para piano n. 2  &#8211; opus 18<\/td><td class=\"column-2\">Rachmaninov<\/td>\n<\/tr>\n<tr class=\"row-87\">\n\t<td class=\"column-1\">Raps\u00f3dia sobre um tema de Paganini &#8211; opus 43<\/td><td class=\"column-2\">Rachmaninov<\/td>\n<\/tr>\n<tr class=\"row-88\">\n\t<td class=\"column-1\">Bolero<\/td><td class=\"column-2\">Ravel<\/td>\n<\/tr>\n<tr class=\"row-89\">\n\t<td class=\"column-1\">Assim falou Zaratustra<\/td><td class=\"column-2\">Richard Strauss<\/td>\n<\/tr>\n<tr class=\"row-90\">\n\t<td class=\"column-1\">O voo do besouro<\/td><td class=\"column-2\">Rimsky-Korsakov<\/td>\n<\/tr>\n<tr class=\"row-91\">\n\t<td class=\"column-1\">Scherazade &#8211; The tale of the Kalendar prince<\/td><td class=\"column-2\">Rimsky-Korsakov<\/td>\n<\/tr>\n<tr class=\"row-92\">\n\t<td class=\"column-1\">Guilherme Tell &#8211; abertura<\/td><td class=\"column-2\">Rossini<\/td>\n<\/tr>\n<tr class=\"row-93\">\n\t<td class=\"column-1\">O barbeiro de Sevilha &#8211; abertura<\/td><td class=\"column-2\">Rossini<\/td>\n<\/tr>\n<tr class=\"row-94\">\n\t<td class=\"column-1\">Carnaval dos animais &#8211; Aqu\u00e1rio<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td>\n<\/tr>\n<tr class=\"row-95\">\n\t<td class=\"column-1\">Carnaval dos animais &#8211; o cisne<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td>\n<\/tr>\n<tr class=\"row-96\">\n\t<td class=\"column-1\">Dan\u00e7a macabra<\/td><td class=\"column-2\">Saint-Sa\u00ebns<\/td>\n<\/tr>\n<tr class=\"row-97\">\n\t<td class=\"column-1\">Ad\u00e1gio para cordas &#8211; opus 11<\/td><td class=\"column-2\">Samuel Barber<\/td>\n<\/tr>\n<tr class=\"row-98\">\n\t<td class=\"column-1\">Gnosienne n.1<\/td><td class=\"column-2\">Satie<\/td>\n<\/tr>\n<tr class=\"row-99\">\n\t<td class=\"column-1\">Gymnop\u00e9die No.1<\/td><td class=\"column-2\">Satie<\/td>\n<\/tr>\n<tr class=\"row-100\">\n\t<td class=\"column-1\">Je te veux<\/td><td class=\"column-2\">Satie<\/td>\n<\/tr>\n<tr class=\"row-101\">\n\t<td class=\"column-1\">Fandango<\/td><td class=\"column-2\">Scarlatti<\/td>\n<\/tr>\n<tr class=\"row-102\">\n\t<td class=\"column-1\">Ave Maria<\/td><td class=\"column-2\">Schubert<\/td>\n<\/tr>\n<tr class=\"row-103\">\n\t<td class=\"column-1\">Marcha militar<\/td><td class=\"column-2\">Schubert<\/td>\n<\/tr>\n<tr class=\"row-104\">\n\t<td class=\"column-1\">Serenata<\/td><td class=\"column-2\">Schubert<\/td>\n<\/tr>\n<tr class=\"row-105\">\n\t<td class=\"column-1\">Segunda valsa<\/td><td class=\"column-2\">Shostakowich<\/td>\n<\/tr>\n<tr class=\"row-106\">\n\t<td class=\"column-1\">Finl\u00e2ndia opus 26<\/td><td class=\"column-2\">Sibelius<\/td>\n<\/tr>\n<tr class=\"row-107\">\n\t<td class=\"column-1\">Valsa triste &#8211;  opus 44<\/td><td class=\"column-2\">Sibelius<\/td>\n<\/tr>\n<tr class=\"row-108\">\n\t<td class=\"column-1\">O Mold\u00e1via<\/td><td class=\"column-2\">Smetana<\/td>\n<\/tr>\n<tr class=\"row-109\">\n\t<td class=\"column-1\">O p\u00e1ssaro de fogo &#8211; final<\/td><td class=\"column-2\">Stravinski<\/td>\n<\/tr>\n<tr class=\"row-110\">\n\t<td class=\"column-1\">O rito da primavera<\/td><td class=\"column-2\">Stravinski<\/td>\n<\/tr>\n<tr class=\"row-111\">\n\t<td class=\"column-1\">Abertura 1812<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-112\">\n\t<td class=\"column-1\">Capricho italiano<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-113\">\n\t<td class=\"column-1\">Concerto para piano n. 1<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-114\">\n\t<td class=\"column-1\">Marcha eslava<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-115\">\n\t<td class=\"column-1\">O lago dos cisnes &#8211; tema do cisne &#8211; final<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-116\">\n\t<td class=\"column-1\">O lago dos cisnes &#8211; valsa<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-117\">\n\t<td class=\"column-1\">O quebra nozes &#8211; Valsa das flores<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-118\">\n\t<td class=\"column-1\">O quebra nozes &#8211; Valsa dos flocos de neve<\/td><td class=\"column-2\">Tchaikovsky<\/td>\n<\/tr>\n<tr class=\"row-119\">\n\t<td class=\"column-1\">A for\u00e7a do destino &#8211; abertura<\/td><td class=\"column-2\">Verdi<\/td>\n<\/tr>\n<tr class=\"row-120\">\n\t<td class=\"column-1\">Bachiana n.5<\/td><td class=\"column-2\">Villa-Lobos<\/td>\n<\/tr>\n<tr class=\"row-121\">\n\t<td class=\"column-1\">O trenzinho do caipira &#8211; Bachiana n. 2<\/td><td class=\"column-2\">Villa-Lobos<\/td>\n<\/tr>\n<tr class=\"row-122\">\n\t<td class=\"column-1\">Cs\u00e1rd\u00e1s\u00a0<\/td><td class=\"column-2\">Vittorio Monti<\/td>\n<\/tr>\n<tr class=\"row-123\">\n\t<td class=\"column-1\">As quatro esta\u00e7\u00f5es<\/td><td class=\"column-2\">Vivaldi<\/td>\n<\/tr>\n<tr class=\"row-124\">\n\t<td class=\"column-1\">Gloria em R\u00e9 maior<\/td><td class=\"column-2\">Vivaldi<\/td>\n<\/tr>\n<tr class=\"row-125\">\n\t<td class=\"column-1\">La Stravaganza<\/td><td class=\"column-2\">Vivaldi<\/td>\n<\/tr>\n<tr class=\"row-126\">\n\t<td class=\"column-1\">Cavalaria ligeira &#8211; abertura<\/td><td class=\"column-2\">Von Supp\u00e9<\/td>\n<\/tr>\n<tr class=\"row-127\">\n\t<td class=\"column-1\">Cavalgada das valqu\u00edrias<\/td><td class=\"column-2\">Wagner<\/td>\n<\/tr>\n<tr class=\"row-128\">\n\t<td class=\"column-1\">Grande marcha de Tannhauser<\/td><td class=\"column-2\">Wagner<\/td>\n<\/tr>\n<tr class=\"row-129\">\n\t<td class=\"column-1\">Marcha nupcial<\/td><td class=\"column-2\">Wagner<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-15 from cache -->\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\">1024 m\u00fasicas: a playlist definitiva<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Esta \u00e9 a playlist com 1024 m\u00fasicas que eu levaria para passar o resto dos meus dias em uma ilha deserta com um tocador de m\u00fasicas off line. Talvez voc\u00ea considere o mix um tanto ins\u00f3lito. Fui ecl\u00e9tico e me guiei apenas pela ideia que a boa m\u00fasica independe de classifica\u00e7\u00f5es e rotulagens.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como gosto de cada coisa na sua gaveta as m\u00fasicas est\u00e3o agrupadas por similaridades. Acesse pelos links abaixo. As playlists no Spotify s\u00e3o estendidas com algumas m\u00fasicas adicionais. As quantidades s\u00e3o pot\u00eancias de 2, outra excentricidade minha.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-opera\/\">\u00c1rias de \u00f3pera<\/a> (32)<\/li>\n\n\n\n<li>Can\u00e7\u00f5es populares\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-alemao\/\">Alem\u00e3o <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-brasileiras\/\">Brasileira<\/a> (128)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-espanhol\/\">Espanhol <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musica-cancoes-em-frances\/\">Franc\u00eas <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-ingles\/\">Ingl\u00eas <\/a>(256)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-italiano\/\">Italiano <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-internacional\/\">Internacional <\/a>+ (32)<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-eruditas\/\">Erudita<\/a> (128)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-guilty-pleasure\/\">Guilty pleasure<\/a> (64)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-instrumental-pop\/\">Instrumental pop<\/a> (32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-jazz\/\">Jazz<\/a> (32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-musicais\/\">Musicais<\/a> (32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-pmp-politicas-militares-e-patrioticas\/\">PMP Pol\u00edticas, militares e patri\u00f3ticas <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-tradicionais\/\">Tradicionais <\/a>(32)<\/li>\n\n\n\n<li><a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-trilhas-sonoras\/\">Trilhas sonoras<\/a> (64)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Baixe a planilha completa gr\u00e1tis<\/h2>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/radames.manosso.nom.br\/download\/512-musicas\/\">Download<\/a><\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Uma sele\u00e7\u00e3o de 128 cl\u00e1ssicos da m\u00fasica erudita, todos populares, na medida da popularidade esperada para esta categoria musical. Dizem que a express\u00e3o m\u00fasica cl\u00e1ssica se aplica apenas \u00e0 m\u00fasica erudita do per\u00edodo cl\u00e1ssico, mas estamos falando de m\u00fasica instrumental para orquestra ou c\u00e2mara com tradi\u00e7\u00e3o que remonta h\u00e1 s\u00e9culos. Ou\u00e7a no Spotify S\u00e3o tr\u00eas &hellip; <a href=\"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-eruditas\/\" class=\"more-link\">Continue lendo <span class=\"screen-reader-text\">Melhores m\u00fasicas: eruditas<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[61],"tags":[94,104,103,109,110],"class_list":["post-880","post","type-post","status-publish","format-standard","hentry","category-divagacoes","tag-lista","tag-melhores-musicas","tag-musica","tag-musica-classica","tag-musica-erudita"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p14lZD-ec","jetpack-related-posts":[{"id":883,"url":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-opera\/","url_meta":{"origin":880,"position":0},"title":"Melhores m\u00fasicas: \u00e1rias de \u00f3pera","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"A \u00f3pera \u00e9 um g\u00eanero musical apreciado por um n\u00famero reduzido de pessoas, mas h\u00e1 muitas \u00e1rias de \u00f3pera que est\u00e3o consolidadas em nossa mem\u00f3ria. O per\u00edodo de ouro da \u00f3pera foi no S\u00e9culo XIX. Os musicais seriam a continua\u00e7\u00e3o da \u00f3pera? Ou\u00e7a no Spotify https:\/\/open.spotify.com\/playlist\/6pLSIwcZjOTravhYuChlIM?si=805c8114e4de4a5b A lista","rel":"","context":"Em &quot;Divaga\u00e7\u00f5es&quot;","block_context":{"text":"Divaga\u00e7\u00f5es","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/divagacoes\/"},"img":{"alt_text":"Pavarotti","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/pavarotti.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/pavarotti.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/pavarotti.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1842,"url":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musica-cancoes-em-frances\/","url_meta":{"origin":880,"position":1},"title":"Melhores m\u00fasicas: can\u00e7\u00f5es em franc\u00eas","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"32 can\u00e7\u00f5es com cl\u00e1ssicos da chanson fran\u00e7aise de v\u00e1rias \u00e9pocas. Ou\u00e7a no Spotify https:\/\/open.spotify.com\/playlist\/5aXtlWLSJukkdVYL3G86Re?si=aff37251aa4f4c7e A lista","rel":"","context":"Em &quot;Divaga\u00e7\u00f5es&quot;","block_context":{"text":"Divaga\u00e7\u00f5es","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/divagacoes\/"},"img":{"alt_text":"Edith Piaf","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/edith-piaf.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/edith-piaf.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/edith-piaf.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1817,"url":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-alemao\/","url_meta":{"origin":880,"position":2},"title":"Melhores m\u00fasicas: can\u00e7\u00f5es em alem\u00e3o","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"32 can\u00e7\u00f5es de diferentes \u00e9pocas e estilos incluindo cl\u00e1ssicos da schlager music. Lembrando que muitos cantores alem\u00e3es fizeram sucesso cantando em ingl\u00eas. Ou\u00e7a no Spotify https:\/\/open.spotify.com\/playlist\/3o0MxKdu6u3fGakKwrAPYQ?si=c7b9ddb77fec4fbd A lista","rel":"","context":"Em &quot;Divaga\u00e7\u00f5es&quot;","block_context":{"text":"Divaga\u00e7\u00f5es","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/divagacoes\/"},"img":{"alt_text":"Kraftwerk","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/kraftwerk.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":888,"url":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-de-todos-os-tempos-trilhas-sonoras\/","url_meta":{"origin":880,"position":3},"title":"Melhores m\u00fasicas: trilhas sonoras","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"Selecionei 64 temas famosos de filmes, s\u00e9ries e games. Nessa \u00e1rea, encontramos um time reduzido e seleto de compositores especializados. S\u00e3o pe\u00e7as instrumentais, na maioria compostas para orquestra sinf\u00f4nica. Ser\u00e1 que as trilhas s\u00e3o a continua\u00e7\u00e3o da m\u00fasica erudita do passado? Ou\u00e7a no Spotify https:\/\/open.spotify.com\/playlist\/4jbAIyjgnXpgJf6Uilyzmx?si=758950d5884a4b94 A lista","rel":"","context":"Em &quot;Divaga\u00e7\u00f5es&quot;","block_context":{"text":"Divaga\u00e7\u00f5es","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/divagacoes\/"},"img":{"alt_text":"Star wars sound track","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/star-wars-theme.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":40,"url":"https:\/\/radames.manosso.nom.br\/critica\/dramas\/128-dramas\/","url_meta":{"origin":880,"position":4},"title":"128 melhores pe\u00e7as teatrais","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"Assistir \u00e0s 128 pe\u00e7as teatrais desta lista n\u00e3o \u00e9 tarefa simples. Os livros com os textos de cada uma est\u00e3o facilmente dispon\u00edveis nas livrarias e bibliotecas, mas n\u00e3o \u00e9 f\u00e1cil estar no lugar certo na hora certa em que as boas montagens acontecem. Bem, temos a vida toda para isso.\u2026","rel":"","context":"Em &quot;Dramas&quot;","block_context":{"text":"Dramas","link":"https:\/\/radames.manosso.nom.br\/critica\/category\/dramas\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/radames.manosso.nom.br\/critica\/files\/hamlet-laurence-olivier.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1833,"url":"https:\/\/radames.manosso.nom.br\/critica\/divagacoes\/melhores-musicas-cancoes-em-espanhol\/","url_meta":{"origin":880,"position":5},"title":"Melhores m\u00fasicas: can\u00e7\u00f5es em espanhol","author":"Radam\u00e9s","date":false,"format":false,"excerpt":"32 can\u00e7\u00f5es em espanhol abrangendo g\u00eaneros t\u00edpicos como bolero, tango e rumba. V\u00e1rios pa\u00edses. 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